How Cinematographer John McClellan Uses set.a.light 3D V3 to Prep a TV Commercial
Capturing the Cloud with SAL 3D By John F. McClellan | Cinematographer Fix it in Prep I’m a big believer in the “Fix It In Prep” gospel. I…
Capturing the Cloud with SAL 3D By John F. McClellan | Cinematographer Fix it in Prep I’m a big believer in the “Fix It In Prep” gospel. I…
V3 comes with a massive library of gear for nearly any photography or film setup. While we regularly add new gear assets, you can also create your own.…
V3 is evolving fast. Let's take a look at the latest additions and improvements to your workflow. Step 01: What's New in V 3.1.8 Three highlights from the…
Visual feedback — like on camera screens — is convenient. But metering light links light output to your camera's aperture. Metering allows you to match your strobe's power…
Welcome to 2026! We hope you had a wonderful holiday season and are ready to kick off a new year of creative inspiration, insights, and pointers with us.…
Design complete scenes with sunlight and create natural-light locations — outdoor and indoor. Build far into the distance with wide, detailed outdoor environments featuring ready-made or custom-imported assets.…
Say goodbye to static previews! With the new Animation Module in set.a.light 3D V3 (Cinema Version or Add-On), your lighting setups move, shift, and evolve — just like…
set.a.light 3D V3 marks the beginning of a new chapter. This release is the biggest leap forward yet: greater realism in lighting and camera simulation, more freedom in…
The concept of Evolved Fine Art Portraits moves beyond a single, rigid definition of the classical Fine Art Portraiture genre. It explores a rich spectrum where painterly elegance,…
Blue often evokes calm serenity or thoughtful distance in photographic art. Yet, its deliberate application in studio portraiture unlocks significant conceptual ideas for creative expression, intentionally avoiding melancholic…